MYTHS IN THE MAKING · VOL.15 · 36 PHOTOGRAPHS

稻穗成熟以前

《神話未完成》第十五冊|Before the Rice Ripens

36 張 · 9 章 · 圖片可點開放大,用左右鍵逐張看 · 每張都附 Flickr 連結

史旺姬《稻穗成熟以前》第13幅,第4章「長大仍需要時間」

創作理念 · STATEMENT

照料不能省去等待生長的時間

她走進比人更高的稻林,仍得等一株小苗慢慢長大。水流、風雨與倒伏讓照料有了重量;同伴伸出手,木柱接住稻莖,空掛鉤留下收成以外的地方。到了清晨,她重新坐在幼苗旁。

我把稻放大,讓成熟的重量成為可以走進去的空間。她可以仰望穗頂,也會被倒伏的稻莖迫得彎下身;尺度改變了她的姿態,沒有替她取消勞動。手仍要扶盤、搬竹、把留下的穀物分享給另一個人。

這本書從乾裂的土走到冷雨,再回到白牆邊的晨光。少量稻束與一排空鉤放在一起,讓成果與空缺都留下位置。最後的小苗沒有忽然長大:照料是一再回到它身邊,並且容許等待繼續。

Read the statement in English

Care cannot shorten the time of growth.

She enters rice taller than a person, yet must still wait for a small seedling to grow. Water, wind and fallen stalks give care its weight. A companion offers a hand, a wooden support holds a stem, and empty pegs mark what the harvest cannot fill. In the morning, she sits beside a seedling again.

I enlarge the rice until the weight of ripeness becomes a space one can enter. She looks up toward the panicles and bends beneath fallen stalks. Scale changes her posture without removing the work. Hands must still steady a tray, carry bamboo and share the grain that remains.

The book moves from cracked soil through cold rain to morning beside a white wall. A few rice bundles share a frame with a long row of empty pegs, leaving room for both gain and absence. The final seedling does not suddenly grow. Care means returning to it, and allowing the wait to continue.

在 Flickr 看完整相簿 ↗

01裂土裡的一點綠

02把幼苗交到手中

03讓水走過黑石

04長大仍需要時間

05風轉向的時候

06雨中留下的位置

07把倒伏的扶住

08收成少於空白

09留給下一次生長

後記 · AFTERWORD

她沒有把田裡的損壞全部修好,也沒有把空鉤掛滿。留下一袋穀物、扶住一根稻莖、再看一次小苗,已經是今天能做的事。明天仍有自己的時間。

She has not repaired every fallen stalk or filled every empty peg. Saving a bag of grain, supporting a stem and looking at a seedling once more are what today allows. Tomorrow keeps its own time.

STORY · 故事與改寫

故事與改寫

這一冊從哪一則故事出發,又改寫了什麼。

創作起點為 C. M. Pleyte 於1913年刊出的《Vrouwe Kaoeng》第四冊所收巽他敘事及荷文改寫;本冊取其種植、照管、受損與恢復的線索,轉化為照料與等待的攝影敘事。巨大稻林、人物衣裝與空間安排是本作的視覺創作,不作原典場面的復原。

來源與參考

故事參考:Staatsbibliothek zu Berlin — PPN687600111, Pleyte 1913(https://content.staatsbibliothek-berlin.de/dc/PPN687600111.mets.xml)

The starting point is the Sundanese narrative and Dutch adaptation published in volume IV, Vrouwe Kaoeng, by C. M. Pleyte in 1913. Planting, care, damage and restoration become a photographic story of tending and waiting. The giant rice, clothing and spatial arrangements are visual inventions rather than reconstructions of scenes in the source.

Sources

Story references: Staatsbibliothek zu Berlin — PPN687600111, Pleyte 1913 (https://content.staatsbibliothek-berlin.de/dc/PPN687600111.mets.xml)

史旺姬 × SWANKY · MYTHS IN THE MAKING

繼續看下去。

36 張依定稿順序排列,分 9 章;可以到 Flickr 逐張看,也可以接著讀系列的其他冊。