創作理念 · STATEMENT
讓彼此靠近，也留下各自的方向
她讓不同的土地靠近，也為每個人保留自己的方向。紅色庭坪、白色水邊與綠色樹蔭，懸在同一片乾燥的土地上。她接過果實、端杯同行，也在樹下休息。到了暮色，歸途沒有把所有地方合成一處，留下的空隙仍能容納一次回望。
我把歸屬放在土地之間，而不放在一座完成的房屋裡。水、樹木與庭院各有重量，也各有日常。神性的動作讓它們靠近，接下來卻是端杯、跨步、聽人說話與離開：她能決定距離，不能替所有人決定生活。
赤陶的厚邊與細小的空隙，是這本書的兩種尺度。遠看，生活像幾座可以移動的島；靠近，掌心、鞋底與杯沿仍遵守熟悉的重量。夜晚，她扣上外套，把杯子交回對岸。人留在自己的土地上，物件與目光卻能往來；最後的回望發生在前行之中。
Read the statement in English
Coming closer, keeping an edge of one’s own.
She brings different lands closer while leaving each person a direction of their own. Red courtyards, white watersides and green shade hover above dry earth. She receives fruit, carries a cup and rests beneath trees. At dusk, homecoming does not merge every place into one; a gap remains for a backward glance.
Belonging lies between these lands rather than inside a finished house. Water, trees and courtyards each have weight and daily life. Divine action brings them closer; carrying a cup, listening and leaving follow. She can choose a distance without choosing everyone else’s life.
Thick terracotta edges and small gaps give the book two scales. From afar, daily life occupies movable islands; up close, palms, shoes and cups retain familiar weight. At night she fastens her jacket and returns a cup across the gap. People remain on their own ground while objects and glances travel between them. Her final backward glance belongs to a continuing step.
