創作理念 · STATEMENT
讓一陣風停留，也為它留下出口
她帶著風走進村子，也為每一次停留留下出口。掌心落在完整木面上，厚重木紋拱起，讓看不見的來訪有了形狀。她經過屋簷、菜圃與洗手的石院，聽人說話，也停下喝茶。當她收回手，生活仍繼續，風不必成為任何人的所有物。
這裡的神性藏在一個很小的動作裡。沒有王冠替她說明身份，木面在她的掌下改變；但畫面的另一半，仍是會繼續種菜、端茶、站在屋簷下的人。力量和日常並列，不必把生活改成一場儀式。
木材有重量，風沒有形狀。我讓厚重的年輪成為能夠張開的間隙，再用人物與木面的距離改變閱讀節奏。靠近、交談、蹲下、走開與休息，都是她選擇如何在場的方式；最後的開口不需要完全關上。
借來的罩衣讓她暫時參與棚內的工作。她整理袖口，把兩杯端進去，再將衣服掛回原處，坐下成為一位喝茶的客人。力量不只表現在木紋如何張開，也表現在她願意如何加入生活。
Read the statement in English
A place to pause, a way to leave
She brings the wind into the village and leaves a way onward at every stop. Her palm rests on an unbroken slab, and heavy grain rises around an unseen visitor. Among eaves, vegetable beds and a stone washing court, she listens and pauses for tea. When she lifts her hand, ordinary life continues; the wind belongs to no one.
Divinity rests in a small gesture. No crown explains who she is; the surface changes beneath her palm. Beside her, people keep tending vegetables, sharing tea and standing beneath the eaves. Power and daily life share the frame without turning every encounter into a ceremony.
Wood has weight; wind has no visible shape. Heavy grain becomes an opening, while the distance between her body and the slab changes the rhythm. Approaching, talking, kneeling, leaving and resting are ways of choosing how to be present. The last opening need not close.
